Unicorn horns were highly prized in medieval times. The treasuries of St Mark’s in Venice
and of Milan cathedral in Italy, as well as those of queen Elizabeth I of
England and James III of Scotland (1497 inventory), each had at least one, as
did a number of other wealthy churches and rulers, including members of the
Medici family – the acknowledged experts in the use of untraceable poisons.
For several hundred years a very profitable trade was
maintained in fake horns for their supposedly medicinal properties and as an
antidote to all known poisons – generally in powdered form. It is recognised
today that the horns in the great treasuries were the ivory tusks of narwhals
or walruses, often called ‘sea unicorns’, in line with the medieval belief that
every land animal had a marine equivalent.
But did the white unicorn with the golden horn depicted in
so many medieval manuscripts and tapestries ever exist? Descriptions of this
fabulous beast vary from text to text. Ctesias, a Greek Physician who visited
the Persian court in 416 BC, wrote about a wild animal in India that was larger
than a horse, with a white body, dark red head and dark blue eyes, and a horn
about 45 centimetres long on its forehead, white at the base, black in the
middle and crimson at the sharp tip.
Ctesias’s unicorn is generally thought to be a combination
of the wild ass of India, the rhinoceros, and the fleet-footed Tibetan antelope
which has long straight horns – viewed from the side these would look like a
single horn. Indian rulers had drinking beakers
supposedly made from the horns of unicorns but actually from rhinoceros
horns. They were painted with bands of rich colour and were said to portect
users from sickness and poisoning.
Writing in the first century AD, Roman writer Pliny the
Elder referred in his Natural History to a wild ‘monoceros’, which had a long
single black horn in the centre of its forehead. It was hunted by the Orsaean
Indians and could not be taken alive. The unicorn, or re’em, of the Old
Testament was probably the European wild ox, or aurochs – a two-horned species,
which became extinct.
Medieval writings are concerned more with the symbolism and
powers of the unicorn than with its appearance. Traditionally there is only one
way to capture one. The sweet smell of a virgin maiden entices the beast to lay
its head in her lap, and it can then be taken. The unicorn was interpreted as a
symbol for Christ , because of its majesty, purity, and the belief that it
could purge any water source of poison by dipping its horn into it; the
unicorn’s capture was seen as symbolizing the conception and Incarnation of
Christ, the virgin as representing the Virgin Mary.
A belief in unicorns is not restricted to Western cultures –
the Chinese ki-lin is said to have a
stag’s body, horses’ hooves, and a single horn about 4 meters long growing from
the middle of its forehead. Unlike the Western unicorn, which can be fierce and
even belligerent, ki-lin is gentleness itself, eats nothing living and will not
step on the tiniest insect or blade of grass. *Monsters
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